Fisherchild

Traci Kwaai (ZA), Kyle Marais (ZA), Lo-Def Film Factory (ZA)

Fisherchild is a community-based new media project which translates the oral storytelling archive of a small South African fishing community into an interactive digital repository of indigenous marine knowledge. Fisherchild builds on the ancestral and archival work of sixth-generation fisher child Traci Kwaai, who archives and retells the stories of the centuries-old Kalk Bay indigenous fishing community whose livelihoods are threated due to lack of access to marine resources.  As a child growing up under apartheid, Kwaai was denied access to the ocean spaces she lived across from. Today, she works to create access to the ocean for the youth in her community.  

The project was co-created by the artist duo Lo-Def Film Factory (Francois Knoetze & Amy Louise Wilson) and creative technologist Kyle Marais. Combining new media storytelling technologies like 360 video, photogrammetry, and VR with traditional knowledge and practices, this project creates a repository for holding the stories of the Black and Brown communities of Kalk Bay, as well as a prototype for an archive of indigenous cultural knowledge. It aims to digitally preserve the cultural heritage and identity of this community through the creation of a game-engine built experience which houses the 3D documentation of important artefacts, sites, and oral histories, as well as a site-specific audio walking tour. In a workshop series, youth from Kalk Bay created hand-made media that contributed to the VR experience, working directly with the artists and technologists in a shared creative process. This project is an important contribution to the growing field of African 3D digital cultural heritage. 

Beyond the digital work, the project also addressed local socio-economic challenges. It included the establishment of a community kitchen experiment, where locals produced jarred products linked via QR code to a newly-created app as a means to generate income. This initiative was a prototype for what community-led income generation could look like.  

fisherchild.org.za/kalk-bay-projects/#heritagearproject
www.youtube.com/watch?v=sM0RpK1GyJA&ab_channel=Lo-DefFilmFactory

Created by Traci Kwaai, Lo-Def Film Factory (Francois Knoetze & Amy Louise Wilson) and Kyle Marais in collaboration with Fisher Child Youth.

Youth participants:  Amy Jacobs, Aliyah Pettersen, Lila Wackernagel, Jorja Williams

With oral history contributions from: Gigi Fisher, Haya Fisher, Marie Boltman, Faez Poggenpoel   

Sound: Hilton Schilder  

Additional imagery: Justin Blake

With support from: the Heritage Management Organization and the Mellon Foundation 

Traci Kwaai (ZA), a sixth-generation fisher child from Kalk Bay, is a storyteller, activist, teacher, and entrepreneur. She leads the Walk of Remembrance, which highlights the history and marginalization of her community, who have lived in Kalk Bay for over 300 years. 

The Lo-Def Film Factory (ZA), artist duo Francois Knoetze and Amy Louise Wilson, blend archival research, video art, collage, sculptural installation, and new media. They focus on engaging young people in participatory research-creation projects.

Kyle Marais (ZA), an XR developer and new media artist from South Africa, explores the intersection of technology and art. He specializes in creating immersive 6DoF VR experiences, focusing on non-linear storytelling and interactive environments. 

This is a powerful story about the history of forced removals in the Colored community, tracing back over six generations. Kalk Bay is one of Cape Town’s most economically significant areas. The fishing industry serves as the backdrop for this narrative. Through immersive reality, the project seeks to preserve and share the rich heritage of the Kalk Bay community, as narrated by Traci Kwaai—an activist, teacher, and artist. In this work, new media collective Lo-Def Film Factory, together with developer Kyle Marais, joins forces with Kwaai, using Virtual Reality, 3D scanning, and Augmented Reality to map how community’s experiences of dispossession and marginalization intersect with larger global patterns of inequality and exclusion. The material for the 3D worlds will be created through workshops with the Fisher Child community, a network assembled by Kwaai of young community members. The aim of these lo-fi, DIY workshops is to assemble images, audio recordings, drawings, songs, and performances, remixing and collaging historical material into digital media which can form part of the knowledge corpus that houses this project.